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The Team

The faces behind the worlds of Firecurl

Meet the people
who created Firecurl
and her journeys.

Zlatko Enev

is the author of seven books and the publisher of Liberal Review.

His trilogy for children and adults, Firecurl, has been translated into several languages, including Chinese.
He has lived in Berlin since 1990.

 

Diana Naneva

is a young illustrator and comics artist. She was born in Varna. She is the author of Ghost Instrumentarium and Season for Escape.
She also illustrated the anniversary edition of Yan Bibiyan.

Read more …About the team

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Yui Ran –
a Sorceress
from China

A Life Devoted to the Word

On April 2, 1977, a girl was born. It is the birthdate of the Danish master of fairy tales Hans Christian Andersen and also International Children’s Book Day. Within the brief span of her 38-year life, this destiny would prove deeply symbolic.

In the autumn of 1980, while in kindergarten, Yui Ran refuses to nap and goes to play outside. As punishment, the teacher locks her in a dark, windowless room. When she is finally released, she can no longer stand steadily, collapses after a few steps — and never walks again...

Though unable to attend school, Yui Ran educates herself, studying all core subjects from elementary through university level. She masters several foreign languages, including English, German, and French. At the age of 14, she begins writing professionally, as well as translating, leaving behind over 200 works, including The Season Quartet, The Princess Without Worries, The Taste of the Moon, and The Extraordinary Camella.

In addition to founding an organization that promotes children’s reading, called “Little Library – The World of Children’s Literature,” she conducts training sessions for reading advocates. Until her last breath, she remains true to her dream.

“We write to inspire. We share knowledge to change the world.”

— Yui Ran, writer, translator, activist

Journey with the Ghosts (Translator’s Preface)

If you haven’t yet visited the Ghost Forest alongside Anne, you might be asking yourself:

Where is this place? How big is it? Why is it called the Ghost Forest? Do only ghosts live there?

I think Anne would answer something like this:

“Where is this place?”

Maybe it exists in a forgotten corner of the world. Maybe it appears exactly where you need it. Maybe it simply lives in your heart and your dreams. But this world has its own laws — and it is even more magical than your dreams.

“How big is it?”

It’s a miniature image of the whole world. So, as vast as our world is, that’s how vast this forest is. But at the same time, it’s incredibly small — made of the tiniest details. At the beginning of the story, we define the boundaries of this forest, yet we can never predict where the next step will land. This place is like an anthill — seemingly insignificant at first glance, but once you step inside, you realize how vast and complex it truly is.

“Why is it called the Ghost Forest? Do only ghosts live there?”

Think about it — in our dreams, we often see vague shadows, beings we cannot name. These figures are hidden deep within us — and they don’t vanish just because we’ve forgotten them. They are the ghosts.

And the Ghost Forest is the place that holds all those forgotten memories.

If it weren’t for its stubborn nature, Anne might never have entered this forest or learned all these things. Because the forest only reveals itself when “something has gone wrong” — only then does its portal open to accept guests from the outside world.

That reminds me of something my dear father once said:

“A child who has never fallen can never learn to get up.”

Today the roads are smooth, we have cars and planes — children rarely get the chance to fall in the real world.

Luckily, there’s still one place where you can stumble a thousand times and rise again every single time — the Ghost Forest.

A Place of Philosophy and Humor

Zlatko Enev is a philosopher, and in his story, almost every chapter holds a piece of deep wisdom — but it’s always delivered with humor.

In the machine built by Heino, we see the emotionless giant cloaked in the robe of “reason” — it’s called “the market.”

In the ant kingdom, even though we’re in a miniature world, we can’t shake the feeling that we’ve seen it all before — and something inside us stirs in recognition.

Justa Diva appears in only one chapter, but her words reveal the very essence of art.

The riddles in the eagle’s nest made me laugh while translating, but when I stopped laughing, I realized something profound — the logic of “the smart devours the stupid” and the two young eaglets who don’t yet know how to fly, but already rely on the computer to think for them…

This world is so different from mine — and yet so close.

The Transformation of Anne

In this place, a hot-tempered, selfish, and spoiled girl like Anne learns a simple yet priceless skill — how to love.

She learns this not from the good people — but from the ghosts themselves.

It is they who give her the key that unlocks her heart.

It sounds paradoxical, but it’s true — just like in life.

Grandpa Hedgehog, Justa Diva, Madame Owl, the Ant Queen — they all give her something important.

But the most meaningful realization comes when she meets the ghosts themselves — when she stands face to face with herself.

And then the little Firecurl understands how enormous an impact a single act of love — or a single act of hatred — can have on the entire world.

That’s the moment she truly grows up.

True Growth

There are so many people who have lived long lives but never learned the lessons that Anne discovers in the Ghost Forest.

They may look like adults, but their souls remain childish.

When Anne leaps into the Eternal Fire, I see the Phoenix — reborn.

Without destruction, there is no creation.

The Phoenix burns in the flames, which is why there is only one Phoenix in the world — but that Phoenix always carries a clean, new soul.

As long as you’re still growing, still changing, still learning and searching — only then can you truly call yourself a child.

The adventure in the Ghost Forest has come to an end.

Did it really end so quickly?

I’m not sure.

Maybe this is just the beginning of a new journey.

There’s still so much left to learn…

Until we meet again.

— Yui Ran

Read more …Preface to Ghost Forest by the Chinese Translator Yui Ran

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Diana Naneva:
I illustrate pure emotion.

2014

Season for Escape

My name is Diana Naneva. I was born in Varna, and during my high school years I mainly focused on printmaking.

Now I’m refining my painting skills at the National Academy of Arts, but over the past two years I’ve become increasingly drawn to illustration and comics.

I’ve always admired comics as an art form, but only relatively recently have they become a medium of personal expression for me. Of course, during that time I’ve often collaborated with writers and comic book scriptwriters.

What I want to present here is primarily a self-published work – a small collection of short comics, some of which include a touch of poetry. The stories aren’t sequential and don’t follow a narrative arc. Several characters appear, and each one is absolutely sincere in their actions and words… which is exactly what I set out to achieve with this project.

2017

Functional Neighbour

Functional… a drive toward productivity and usefulness. Neighbor… because he’s always nearby. If I could be everywhere, I would be. And if I were a machine, I’d be called that too.

I believe that to a large extent, everyone learns on their own, and most of my practice and drawing for the sake of analysis has been self-initiated. In high school, because we had the relevant classes and specializations, I became very enthusiastic about graphic techniques, and after graduation I got excited about working with color. Gradually, through this process and in this order, I fully immersed myself in the world of illustration.

The comic as a form brings together a whole spectrum of arts. There are no limits to style or means of expression. In comics, you can be both storyteller and artist at once.

2019

Yan Bibiyan

This was the first time I worked on a children’s book, though I’ve always had the interest and desire to do so. Until now, I’ve illustrated novellas for adults, short stories, poetry, and comics — so this was definitely outside my comfort zone. What guided me in the text was the emotion and the feeling it left in me, but that’s true for every text or script I’ve illustrated.

Before I began work on the illustrations, I was curious to search for and look at older and foreign-language editions of the book. Still, we stuck to the idea of offering a fresh and different perspective. The visual concept and the attitude toward the story of Yan Bibiyan were entirely my own.

2021

I enjoy illustrating stories with multiple meanings

At the moment, I’m working on several projects and constantly have to juggle between them. Maybe that’s also how I keep things varied throughout most of the day, since each story and project requires a different approach — there’s no chance of boredom in a process like that. I’m still in the very early stages of a new original comic, and I use every free minute to work on the story. I’m also collaborating with several scriptwriters on different narratives, and soon I’ll share more about what they’re about.

2023

Firecurl

The stories of red-haired Anne, who finds herself in a magical world called “Ghost Forest,” have been widely (un)known in Bulgaria for nearly 25 years. What sets this edition apart from the previous ones — to the extent that we can confidently call it a first — is the completely new design, stunningly and beautifully crafted by the young Bulgarian illustrator Diana Naneva.

Read more …Dianas Journey

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Zlatko Enev:
Profession — Amateur

About the Author
(and the Person)

First and foremost: I consider myself something I call a “professional amateur.”

But what’s the point of such a claim, aside from the obvious wordplay?

You see, a professional amateur is someone who, not by accident but by choice, has opted for a life of constant experimentation an change...

Read more
2001

Ghost Forest

It all started innocently — with a few signed books at the Spring Book Fair in Sofia. “A calm beginning,” I told myself. Mistake! On May 20th, I found myself in the middle of a fan club made up of 30 mini-volcanoes, spewing questions, ideas and — oh yes — firmly claiming that The Ghost Forest is better than Harry Potter. I nodded wisely, scribbled that somewhere in my heart, and moved on.

On the 21st — boom! — Bulgarian National Television decided I was worth a short feature. The presenter hadn’t heard of the book, but turned out to be incredibly likeable. On the 22nd, I was already dashing toward Plovdiv, where the librarians had more energy than the kids. One autograph here, two smiles there — and suddenly they were promising me they'd be waiting impatiently for the second book.

Then came May 24th — Veliko Tarnovo and my hometown, Preslav. Students, teachers, old friends — everyone was happy I was home. And me? I was exhausted, but happy.

2001: A Bookish Odyssey

Pages, Kids, and a Dash of Chaos!

  • When the Classroom Turned into a Magical Forest

    The children listen wide-eyed, the book is open, and I… I’m trying not to lose the plot
    while savoring their curious stares.
    This isn’t just reading — it’s a secret mission in the world of The Ghost Forest!

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  • The Moment of Great Reflection... or Just a Dramatic Pause?

    Sometimes, to captivate your audience, you need a strategic pause. Or at least look like
    you’re pondering the deep meaning of life.

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  • Mission: Capturing the Imagination!

    I step into the room like a secret agent of fantasy, and the kids are already alert — what story will they hear today?
    Questions fly, laughter erupts, and I wonder — is someone here already writing their own fairytale?

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  • When the Storyteller Ends Up Inside the Story

    A moment of dramatic exit... or just an uncomfortable chair?
    The audience waits eagerly, but the truth is, even the best storytellers sometimes need to take
    a stage pause — whether for effect or to avoid falling off the table!

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  • The Secret Council of Young Storytellers

    When children start whispering conspiratorially, something big is in the works.
    Are they plotting a new book storyline? Or just trying to uncover the secrets of The Ghost Forest?
    One thing’s certain — their imagination is running at full speed!

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  • Autographs, Dreams, and One Happy Reader

    I’m signing, while eager little hands with books line up beside me.
    Some watch intently, others wait their turn, but one boy is already beaming —
    the book is in his hands, and his smile says it all. The magic of stories is alive!

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  • Magical Words and Smiling Faces

    Sometimes meeting readers feels like stepping onto a stage —
    smiles, excitement, and a little nervousness from the main character (me).
    But one thing’s certain — when books bring people together, the magic has already begun!

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  • The Secret to a Good Autograph? A Smile and a Little Magic!

    A signing line, eager eyes, and one request: “Can the autograph be special?”
    Of course! Every signature carries a piece of the story, and when the reader walks away with a sparkle in their eyes, the magic has worked.

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  • A Bridge Between Words and Imagination

    I stand on the threshold between reality and the world of fairy tales, and the children are ready to cross with me.
    In my hands — a book; in their eyes — anticipation. Will the next sentence take them to unknown worlds?

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2003

Ghost Park

Two years later, back on the road. I’m no longer just a guest — the books get there ahead of me. In Sofia, a familiar scene: book fair, signatures, puzzled passersby asking, “Who is this guy, and why won’t the line end?”

In Plovdiv, the librarians greet me like a rock star. Before I can even say “Hello,” they’re already holding the new book, flipping through the pages, quoting lines to me. The kids? They just dive straight into the shared excitement.

Shumen? Oh, there I’m in for a real surprise — the librarians not only know my stories, they might be even bigger fans than the students. They ask questions, dig for answers, pitch new ideas. “When’s the third book coming?” someone asks.

On the way back to Sofia, I’m tired — but I know now: it’s not just kids who love fairytales. And the third book? Hm… looks like I’d better hurry up.

2003: Return to the Fairytale Reality

More Books, More Fans, More Surprises!

  • When the Library Turns into a Theater

    All eyes are fixed, the air thick with anticipation.
    Will they hear the next part of the story? Or maybe a secret from the writer’s own workshop?

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  • When the Questions Never End

    You can feel the excitement in the air. The children are waiting, the librarian is smiling, and I know —
    the next question will be completely unpredictable.
    There are always surprises when meeting readers, but one thing’s for sure — the stories never end here!

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  • Reading as an Adventure

    Children, books, and a library filled with stories. Some listen in awe, others are already thinking up their next question,
    and the librarian knows — this is more than just a meeting, it’s a real adventure.
    And the best part? It’s always yet to come!

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  • An Autograph with a Bonus – A Smile and a Dream

    A line for autographs, but not just for a signature — everyone wants a piece of the story.
    Excitement is everywhere, because books aren’t just words — they’re a promise of new adventures!

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  • When Writer and Librarian Become a Team

    There’s no better ally for books than a truly dedicated librarian!
    After the storm of questions, laughter, and autographs — it’s time for a short break and a photo to remember it by.
    The stories brought us together, and the smiles say it all!

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  • Behind Every Successful Event Stand Incredible People

    Books may tell the stories, but it’s people who bring them to life.
    Librarians, teachers, organizers — a team without whom this adventure wouldn’t be the same.

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  • The Audience Is Ready — Let the Adventure Begin!

    Buzz, laughter, and impatient page-flipping — this is what the perfect audience looks like!
    Every child here is a hero in their own story, and this event is just one of many adventures waiting for them.

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  • Ready for Questions, Ready for Adventures!

    The audience is eager, the smiles say it all — the questions are about to pour in!
    The real excitement isn’t just in the books, but in the encounters, the stories, and the moments we share.

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  • After the Good Stories, It’s Time for Sweet Conversations

    Librarians — the secret keepers of books and the writer’s most loyal allies.
    After the meetings with the children, it’s time for another cherished tradition —
    conversations over coffee, warm smiles, and of course, a few sweet treats!

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2005

Ghost Desert

Two years after my last tour, things are no longer the same. The second book won the award for Best Children’s Book of 2003 and… made it into school textbooks! I had no idea I’d become an “official” author.

Then came a surprise from Sofia — the founders of the first private German-language school decided my books were perfect for their curriculum. And so, I was back on the road — Sofia, Plovdiv, Shumen. In Plovdiv and Shumen, the librarians, now die-hard fans, welcomed me like an old friend.

But the real excitement was in the school. Seeing my own books used in class — that’s another level! The children read them, discuss them, analyze them. “What happens next?” they ask.

Flying back home, I realize: I’m no longer just a guest author. My stories are now part of an entire generation’s childhood.

2005: From Storybooks to Schoolbooks

Fairy Tales Enter the Classroom!

  • Bulgarian Fairy Tales Reach Moscow

    A stage, a microphone, and a fairytale map behind me — but this time I’m not telling stories just to children, but to an entire international audience.
    I’m presenting Bulgarian children’s literature in the heart of Moscow, at the book fair.

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  • When a Book Speaks Every Language

    In Moscow, my words are in Bulgarian, but the stories — they speak a universal language.
    The room is full, the presentation is underway, and on the screen — the world of The Ghost Forest.

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  • Fairy Tales Become a School Subject

    The gym is full of students — and books!
    At the first private school for German language, my fairy tales are no longer just bedtime stories.
    They’re part of the curriculum, analyzed, discussed, living in the minds of the children.

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  • The Fantasy Lesson Begins!

    No boring textbooks, no quizzes — only books eagerly flipped through.
    At the first private school for German language, fairy tales aren’t just read — they’re experienced.
    A true classroom lesson in imagination!

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  • A Book You Can’t Put Down

    A book hugged tightly is the surest sign of a good story. Eyes wide open, full attention.
    Will the tale end the way they expect? Or is a surprise waiting?
    One thing’s certain — these stories are truly taken to heart!

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  • The Book That Makes You Laugh

    Laughter, smiles, and a book that clearly found the right reader!
    The true joy of literature shows in the emotions — and when fairy tales bring this much laughter, it means they’ve done their job.

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  • Autographs and Hugs for Books

    Some are waiting for a signature, others are already hugging their treasure. Every book here has found a new home,
    and the autograph is just the final touch to a magical literary adventure!

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  • A Classroom Full of Stories

    The children are ready, books in hand, and the walls are covered in drawings from imaginary worlds.
    Here, the lessons aren’t just about grammar — they’re about fantasy and adventure. A true school for dreamers!

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  • A Signed Book — A Ticket to Adventure

    The signing line doesn’t end, but who’s in a rush when holding their new favorite book?
    Every autograph is special, every child a hero in their own story. The adventure is just beginning!

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2007

Ghost Forest Heads to China

From the Translator

Zlatko Enev is a philosopher, and in his story, almost every chapter holds a kind of deep wisdom — but it’s always delivered with humor.

In the machine created by Heino, we see the unfeeling giant cloaked in the mantle of “reason” — it’s called “the market.”

In the ant kingdom, even though we’re in a miniature world, we can’t shake the feeling that we’ve seen it all before — and our soul stirs at the recognition.

Justa Diva appears in only one chapter, but her words reveal the entire essence of art.

The riddles in the eagle’s nest made me laugh while translating — but when the laughter stopped, I realized something profound: the logic of “the smart devours the stupid,” and the two little eaglets who don’t yet know how to fly but already rely on a computer to think for them…

This world is so different from mine — and yet so very close!

Read the full text

Illustrations for the Chinese Edition of Ghost Forest

  • Oh No, Where Am I?

    She was standing in a dense forest. The small clearing she had stumbled into was surrounded by thick, gnarled trees,
    with thorny bushes growing between them. The vegetation was so dense that if the clearing
    weren’t lit by cheerful rays of sunshine, it would surely be a rather dark and unwelcoming place.

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  • The Spider’s Meadow

    To the right, with two pairs of his eight legs crossed, sat a massive hairy spider, intently cleaning his claws with a rather large knife.
    Caught in the web, a plump fly — almost the size of Pouchy — was flailing about in desperation.

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  • Feathers Will Fly!

    Having forgotten all tales of manners, the two magpies lunged at each other and began whacking away in earnest.
    Loud slaps echoed, and feathers rained down to the ground.

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  • First Encounter with the Ghosts

    With just a few bounds, the bear caught up to her, grabbed her from behind, and lifted her into the air with one paw, while raising the other for a strike.
    His massive curved claws glinted in the sunlight like knives.

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  • The Beavers’ Dwelling

    Built from thick, roughly intertwined branches, a large nest-like structure was fastened at the base of the waterwheel —
    wide and cozy.
    Its interior, lined with neatly planed and varnished boards, gleamed in the sunlight like a mirror.

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  • The Orchid Clearing

    A wide path through the trees led to a vast clearing — the largest they had seen so far in the forest.
    A relatively narrow strip at its edge was dotted with fiery red orchids — not ordinary ones, but enormous flowers, taller than a person.

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  • The Musician Elves

    Flying low over the treetops, four rather peculiar creatures appeared from the direction of the orchid clearing.
    At first glance, they looked just like ordinary people, but on their shoulders they had large transparent wings,
    laced with fine veins — just like giant, shiny flies.

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  • The Home of
    Madame Owl

    The thick trunk was wrapped in a series of wooden ladders, making it accessible even to those who couldn’t fly.
    At various heights along it were several hollows, all but one secured with heavy padlocks.

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  • Madame Owl

    Only now did Anne notice Madame Owl. The elderly lady was sitting in a cozy rocking chair by the open window.
    In one hand she held a book, and in the other — one of the miniature porcelain teacups.

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2008

Liberal Review

Liberal Review was born of restlessness. A buzzing, persistent feeling wouldn’t let its creator sit still. At first, it was only a whisper — a desire for connection, a challenge, an attempt to shake a slumbering world. But soon it became a voice, then a platform, and finally — a mission.

Alone, yet defiant, the writer — half exile, half observer — sifts through the noise of the internet, extracting meaning from the chaos. With each article, he shatters the cozy illusions that lull the mind. He is the gadfly, the irritant, the necessary sting against apathy.

The magazine is not a slick, commercial venture. It is stubborn, unpolished, entirely its own creature — created not for profit, but to provoke. And yet, it gathers more and more voices. Readers argue, discuss, return for more.

Does it change the world? Perhaps not. But it keeps the conversation alive. And sometimes, that is more than enough.

The Various Designs of the Magazine Over the Years

  • 2007 – 2015

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  • 2016 – 2021

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  • 2022 – до сега

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2011

Requiem for Nobody

From the Author:
“Requiem for No One” – A Book I Couldn’t Not Write

This book wasn’t planned. It emerged from long-accumulated anger, from questions no one wants to ask, from stories that are conveniently forgotten. Requiem for No One is not an attempt to please. It is not an attempt to console or offer easy answers. It simply is.

For it, I was called a national renegade. I don’t know if that’s fair, but I do know this book was inevitable. There are no sermons in it, no salvation — only a man trying to understand the world around him without closing his eyes.

Does Bulgaria need such a book? Probably not. But now that it’s been written, the question becomes: is there anyone willing to read it?

And from the Readers:
“Requiem for No One” – Is the Humanist Rootless?

Like many book-loving Bulgarians born in the ’70s, I used to lament that Bulgaria still lacked a novel that meaningfully and convincingly captures the Transition. But reading Zlatko Enev’s Requiem for No One made me ashamed of my ignorance.

Read more
  • Conversations Beyond the Page

    Among the bookstore shelves, literature comes to life not only in the books but also in the words.
    Rumen Leonidov — poet, publicist, and public figure — speaks with passion,
    and I watch, caught in the moment between what is written and the readers’ living response.

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  • A Glance Beyond the Covers

    I stand leaning against the railing, surrounded by books that tell their own stories. But I’m telling mine — not just written, but lived.
    My gaze seeks connection, understanding, maybe even resistance.
    I know that words can change, provoke, sting like a gadfly. The question is — is there anyone to hear them?

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  • Words Against Silence

    I sit facing the audience, with Rumen Leonidov beside me — my interlocutor and kindred spirit. The books before us are speaking, but will they be heard?
    Time passes — the clock on the wall quietly counts the minutes, but I know that some conversations exist beyond time.

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  • The Weight of Words

    Rumen Leonidov speaks, and I listen. The books on the table carry weight not just in volume, but in meaning —
    words that some will read, and others will prefer to avoid.

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  • A Time for Reflection

    I sit off to the side, waiting. Rumen is in his element — seated comfortably, yet his words fall like stones in the quiet room.
    The books in people’s hands are like questions: some already opened, others still closed.

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  • Attention and Anticipation

    Eyes are filled with expectation, glasses are half empty, and the books await their first page to be turned.
    The air in the room is dense — a mix of curiosity, questions, and unspoken lines.
    Everyone here has brought something of their own — expectation, doubt, a desire for conversation.

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  • The Words Are Awake

    My gestures seem to search for meaning. I know that Rumen weighs every word, every pause.
    This is not just a conversation. Here, we are trying to have a dialogue with time.

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  • Sometimes Silence Screams

    Words don’t always come easily. Especially when I feel resistance or lack of understanding.
    Which doesn’t necessarily mean they exist outside my imagination.

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  • Between the Words

    Sometimes it works, other times — it doesn’t. Chaos is a hard thing to tame.
    My hope is that the books will build bridges where my own words fail.

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2020

In Praise of Hans Asperger

It’s hard to write about this book. Because it’s brutal. If the reader doesn’t know the author and the family tragedy behind it, the text may be perceived as a literary monologue with masochistic overtones, spoken and published simply to test our emotional limits.

Read more

Read more …Zlatko’s Journey

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